Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Baller oil painting


Baller
mk87 1876/77 Pastel on monotype 58x42cm Paris,Musee d'Orsay
Painting ID::  33940 		Edgar Degas
Baller
mk87 1876/77 Pastel on monotype 58x42cm Paris,Musee d'Orsay
   
   
     
Edgar Degas The Gentlemen-s Race oil painting


The Gentlemen-s Race
mk87 Before the Start 1862 Oil on canvas 49x62cm Paris,Musee d'Orsay
Painting ID::  33954 		Edgar Degas
The Gentlemen-s Race
mk87 Before the Start 1862 Oil on canvas 49x62cm Paris,Musee d'Orsay
   
   
     
Edgar Degas Absinthe oil painting


Absinthe
mk87 1876 Oil on canvas 92x68cm Paris,Musee d'Orsay
Painting ID::  33955 		Edgar Degas
Absinthe
mk87 1876 Oil on canvas 92x68cm Paris,Musee d'Orsay
   
   
     
Edgar Degas Dance Class at hte Opera oil painting


Dance Class at hte Opera
mk87 1872 Oil on canvas 32x46cm Paris,Musee d'Orsay
Painting ID::  33956 		Edgar Degas
Dance Class at hte Opera
mk87 1872 Oil on canvas 32x46cm Paris,Musee d'Orsay
   
   
     
Edgar Degas Portrait apres un Bal costume oil painting


Portrait apres un Bal costume
mk94 1879
Painting ID::  34602 		Edgar Degas
Portrait apres un Bal costume
mk94 1879
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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